Clash of the Gangster Flicks: Q2 en Q4

Raad de screenshot, de filmquote en welke games er verder nog worden verzonnen.
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Chrischzz
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Bericht door Chrischzz » 28 apr 2008 10:23

Ik vindt het jammer voor Donnie...
Maar The Godfather II wint deze ronde toch..

Toch maar even zeggen dat Donnie Brasco verders een heel sterke film is.. En het qua hardheid misschien net aan wint.. maar op de andere fronten toch net aflegt.. Jammer..

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Sha
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Bericht door Sha » 28 apr 2008 10:29

Godfather II

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patrob
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Bericht door patrob » 28 apr 2008 10:33

Godfather II Dat behoeft verder geen uitleg dunkt me.

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PascalE
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Bericht door PascalE » 28 apr 2008 11:21

Godfather II

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pietje012
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Bericht door pietje012 » 28 apr 2008 11:38

Godfather II

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Rich Art
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Bericht door Rich Art » 28 apr 2008 17:16

Donnie Brasco is een prima film, maar van The Godfather part II wint ie niet.

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ErikSchierboom
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Bericht door ErikSchierboom » 28 apr 2008 19:52

The Godfather, Pt. II

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Swampman
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Bericht door Swampman » 28 apr 2008 20:46

The Godfather: Part II

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Thiver
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Bericht door Thiver » 29 apr 2008 14:01

Donnie Brasco.

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AngelEyes
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Bericht door AngelEyes » 29 apr 2008 18:52

The Godfather Part II: 17
Donnie Brasco: 3

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AngelEyes
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Bericht door AngelEyes » 29 apr 2008 18:52

Pulp Fiction (1994)

Afbeelding

”If my answers frighten you then you should cease asking scary questions.”

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A critical sensation and a box-office hit, Quentin Tarantino's Pulp Fiction (1994) embedded its movie-made world of loquacious hit men and fateful coincidences into the popular consciousness, becoming one of the most influential films of the 1990s. Updating the hard-boiled crime film with postmodern aplomb, and twisting movie time as adroitly as Orson Welles and Stanley Kubrick, Tarantino weaves a morality play through a pop culture fun house drawn from sources as disparate as 1950s and 1970s kitsch, Jean-Luc Godard, Howard Hawks, boxing flicks, Hong Kong action movies, and Kiss Me Deadly (1955). The surreal yet realistic atmosphere, long takes, and wittily pop-literate non-stop dialogue emotionally engage the viewer in the minutiae of the characters' experience even as the film also comments on their status as pulp creations, rendering the moments of shockingly baroque violence simultaneously humorous and ghastly. Winner of numerous critics' prizes and the Palme d'Or at the Cannes Film Festival, Pulp Fiction was nominated for seven Oscars, including Best Picture, Best Director, Best Actor for John Travolta's career-resurrecting turn as Vincent, and Best Supporting Actor for Samuel L. Jackson's furiously philosophical Jules; Tarantino and Roger Avary won for Best Original Screenplay. None of its many imitators has yet come close to matching Pulp Fiction's impact.


VS


Goodfellas (1990)

Afbeelding
”The fuck is that?”

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Seventeen years after revising the book on gangster movies in his breakthrough Mean Streets, Martin Scorsese returned to the netherworld of Italian-American organized crime with this stunningly ambitious, ferociously entertaining look at one man's rise and fall in a Mafia family. Shot and edited with a propulsive sense of rhythm that Gene Krupa would envy (this may be the fastest 150 minutes in film history), Goodfellas explores the 30-year career of Henry Hill (Ray Liotta) as a "mechanic" working for mob boss Paulie Cicero (Paul Sorvino). While most films about gangsters attribute their characters' criminal lives to greed or sociopathic behavior, Scorsese makes it clear Henry and his friends Jimmy Conway (Robert De Niro) and Tommy DeVito (Joe Pesci) are gangsters because they enjoy it: they like to steal, they enjoy violence, and their "work" allows them to profit from these qualities, which would be a hindrance in nearly any other career. However, while the film offers a point-blank look at New York's criminal underworld from the '50s to the '80s, Scorsese also uses this story as a unusual but clear moral fable. In the first few reels, Henry and his partners follow a strict code of honor and make sure to obey Cicero's wishes: you pay tribute to the boss, you stay away from dealing drugs, and you don't kill anyone unless it's absolutely necessary. By the mid-'70s, these guidelines have been forgotten, and as Henry, Jimmy, and Tommy slip away from Paulie's corrupt but strictly ordered ethical universe, it leads only to death and betrayal. Scorsese has long been fascinated with the actions of men searching for a moral compass in a faithless land, but he's rarely told the story with such kinetic force and audacious skill.

Stemmen mag tot 1 mei 20.00 uur!

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Big Red
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Bericht door Big Red » 29 apr 2008 18:53

Pulp Fiction

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Creeper
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Bericht door Creeper » 29 apr 2008 18:54

Pulp Fiction

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Kimon
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Bericht door Kimon » 29 apr 2008 18:58

Jongens toch :N , Goodfellas

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El Chivo
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Bericht door El Chivo » 29 apr 2008 18:58

Als je zoekt naar wat een gangster beweegt, moet je eerder bij Goodfellas zijn dan bij pulp Fiction.

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